I am currently teaching Secondary 1 English Literature in Northland Secondary School. Northland Secondary School is a typical neighborhood school in Singapore taking in the bottom tier of students based on their PSLE scores. English Language is not the first language for many students. As a result, it is unsurprising that many feel that English Literature is a pain because it involves reading long texts that they do not understand. In addition, English Literature lessons are only offered to Secondary 1 and 2s, once a week for 45minutes [1 period]. A teacher would take the Sec 1s and another would take the Sec 2.
This implies that there is limited teaching time. there is also very little support because only 1 teacher is teaching/level. However, this is an opportunity to teach English Literature in the most efficient way. Also, there is autonomy in what I would like to teach vis-a-vis setting assessment tasks.
Classroom Observations:
Secondary 1 students are using the textbook "Living through Literature 1." It appears that my Coordinating Mentor (CT) was focusing on content before I came. This is evident through their CA1 English Literature questions - it tested student's ability to recall the plot with questions like "describe what happened..." The majority of students had passed their examinations. I manage to speak to a few students regarding their grades. I observed that students made comments such as:
"I don't even know why I've done well"
"I write so long already why my marks still so low?"
"I anyhow write what I think also can pass!"
Based on their remarks, I was relieved that the majority of students have the capacity to engage a text at the surface level, as evident in their examination results.
Next, the majority of the lessons I observed were teacher fronted ones. The teacher would usually be writing on the board and the onus is on the students to take notes by themselves. I observed that while the majority of students were scribbling notes in the Express classes, many on the Normal Academic classes will simply do nothing.
I concluded the following after week 1 of observations:
- Students in the school are able to engage the story at a textual level [They are able to read! Woohoo!]
- Students are not given the opportunity to have a 'personal voice'
- Students do not have note taking skills.
Game Plan:
Hence. I decided to launch my focus on cultivating a dialogic classroom. I have just completed my first lesson titled "What is an opinion?" The purpose of this lesson [and possibly the next few ones] is to get students to contribute their views constructively.
So how did my first lesson turn out?
Week 2 – Day 1: 4th March 2013
Lesson Plan:
The words were confined within distinct, rectangular,
coffin-like categories. They were in fact corpses slated for a dignified
buriel. I’m sorry, words, I have to put you to sleep, despite your desires to
stay furiously alive. I have to classify you according to pre-lesson,
main-lesson and post-lesson boxes. I hardly have a choice. This template defies
the organic nature of teaching. I cannot comprehend the structured, man-made
beauty of lesson planning. Why has such an evil template been treated as a holy
grail?
The entire English Literature class was filled with
humanoids. I entered as a human with a DNA of a robot, programmed to greet the
class in the usual boring tone. Yet, I knew I had to break out of it. This is
English Literature, the subject that seeks to revive the human voices of an institution
that stresses on engineered harmony through conformity.
“Opinions”
It was supposed to be
discussed in context of the play “A Case of Durians.”
Yet, I had to equip students with a key weapon before
hand.
“The Art of Crafting Opinions”
What makes a good opinion?
A plethora of answers came spilling out of their
little mouths.
“A good opinion is a suggestion, a perspective of
someone.”
“A good opinion is about combining all the different
point of views into 1 mighty, powerful idea.”
“A good opinion is truth!”
“NO! I disagree, a good opinion might also be a lie!”
I felt trapped due to the need to adhere to what had
been pre-planned. Yet, the responses were developing into a eureka moment for
me. To kill the discussion would be akin to damming a mighty river of life. I
took the courage to let human nature take its course. The rebuttals, the
arguments, and a little childish but precious quarrel erupted. I became a
microcosm of the class, awestruck by what these Secondary One kids were
producing – it was unrefined beauty, like a diamond with rough edges. The bell
rang.
Trainee teacher failed to adhere to what was
pre-planned. As a result, lesson objectives were not met.
That was an evaluation of myself, through the eyes of
a humanoid assessor. Yet, I know that learning is an organic process, following
the lesson plan in this case would not reveal the raw diamonds.
The heart of the lesson is the student, not the plan.
Lesson plans should not be the sole determiner on how classes should be
conducted. But rather, lesson plans and classes have an intimate, symbiotic
relationship. One affects the other, both ways.
I modified the lesson plan for the next class. More
space will be given for students to explore on “what makes a good opinion?” This
would set the stage for a more fruitful, dialogic lesson about the text “A Case
of Durians” in the next lesson.
Week 2 - Day 4: 3rd March 2013
English Literature: An
Interdisciplinary Subject
I entered class 1EA. This class is precious to the
school, the crème de la crème of the cohort. This is Northland Secondary
School’s only Express stream class at Secondary 1 level. I stepped in,
expecting to encounter brainy students who would pose the most intelligent
questions and thoughtful answers.
“In your own groups, I would like you to discuss
about what an opinion is.”
Almost immediately, History textbooks began sprouting
magically on the table. Students rummaged from page to page in search of the
perfect answer. I was dumbfounded.
“History textbooks for my English Literature class?!”
I screamed in my heart. Yet, I was curious.
“Mr Cher, the answer is in our History textbook.”
I understood.
I was in a way, sad because almost all groups gave me
the answer printed in their history textbooks. The richness of discussions is
killed by a homogenic response. In contrast, the Normal Academic classes
provided me with a vriety of original responses, some of which even triggered
debates.
However, it was a precious opportunity to promote English
Literature as an interdisplinary subject, one that students can draw knowledge
from other sources such as textbooks and even their own life experiences.